don’t take it personally, babe, it just ain’t your story

Romance, drama, and technology are three themes that fans of Christine Love‘s other works (such as Cell Phone Love Letter and Digital: A Love Story) should be familiar with. don’t take it personally, babe, it just ain’t your story is a visual novel that includes all three in spades. You play as John Rook, a two-time divorcé and high school teacher that secretly monitors his class’ social network on his Amie XTablet computer for potential cyberbullying. Through both reading their private messages and talking to his students face-to-face, Mr. Rook becomes seriously involved with seven of his special snowflakes’ lives.

The game plays out in two different ways. It’s like your typical visual novel with a bunch of choices, three endings, seven chapters, character development, and lots of dialogue. What makes the game shine is in its second feature – the Amie XTablet. That’s where you find the high level of customization that you’d expect from a Christine Love game. The tablet is your voyeuristic passport into the personal lives of your students. Their social network is like a better, more interesting FB with status updates you can actually care about, rather than bash your head open over.

Every time one of the kids posted something new (indicated by a noise), I rushed to read it. It didn’t matter to me that they weren’t paying attention in their lessons. Who cares about that when you can read about the latest classroom gossip? It’s funny how different they seem online versus reality, when you first meet them. There’s a quiet and proper girl standing in front of you in her uniform, and there, online, is that same girl with a suggestive profile picture. It made me laugh, because the same thing happens in real life – people have all kinds of pictures that their teachers shouldn’t be seeing, but probably can by doing a simple search.

The social network aspect made this game worth it to play, especially since we’re all stalkers. “Friending” and following and checking up on people – those are today’s most acceptable forms of stalking, because people post every minute detail of their lives, hoping that someone, somewhere out there will read it, even if they’ve only got their moms as followers/friends/etc. Some of us admit our creep status more readily, but social networking has provided us a whole window into people’s private lives. People air all sorts of dirty laundry online.

The characters in this game do exactly that. When they have problems, they write about it. As soon as they’re done confronting someone, they post about the aftermath. Nothing offline is kept one hundred percent separate from the online world. Even when John talks to his students, they’re texting away on their tablets, carrying on with the latest news.

The game is set in the year 2027, which is important to the plot. The chatspeak that the characters use might get annoying, but as someone who hears people quoting memes on a near daily basis, I think it’s feasible that kids in 2027 would have adopted “lol” into their regular speech. Strong language (including a certain homophobic slur) that we’d find offensive in 2012 has also become as common and innocuous as saying the word, “cat.” I found it more surprising that the kids weren’t using chatspeak in their actual posts.

It’s also set in a more liberal era, where homosexuality is more readily accepted. You witness the struggles and innocence of a new gay relationship, and can choose whether or not to help a broken up lesbian couple get back together. You can also choose to accept the advances of one of your underage students, if you’re feeling up to that. It was great to read a story where the relationships were treated naturally and realistically. There’s an opportunity to look at one of your students’ nudey pictures, too, by Googling a password. If any of those things bother you, then this might not be your game (’cause it definitely ain’t your story). The pedo storyline did gross me out, though, mainly because of their first kiss graphic.

Speaking of the CGs, some of them were pretty awkward looking. For the most part, the art is passable. The writing and coding completely trumps it. The side images are redundant, but I loved finding out more about the characters, and realizing how much more insightful they were than what I expected them to be on the surface. They’re more mature than they look, but at the same time, they’re just kids. And, this game, ultimately, is about their stories and lives, not yours. These are characters that will stick with me for a long while.

Read it. Play it. Whatever. You won’t regret it. The ending was a little preachy, but it did make me think about what the kids of the future will be like when I’m around John Rook’s age in 2027. I think I’ll look back on this game, and see how much of it rang true.

Become the bro-est of bros, and download the game here.

Yume Nikki

Madotsuki had a dream, too. In fact, she had several dreams, each one freakier than the last. Some nights, she’s haunted by a myriad of eyeballs, backed up with a windy, electronic undercurrent. Other nights, she imagines herself in a room of candles, the sound of footsteps approaching echoing throughout her head.

When she wakes up, she returns to a reclusive reality, where the only door she ever exits is the one leading to her balcony. Try as she might, she’ll never leave her one room apartment. No. The world out there is a cold unknown, not the place for a shut-in like Madotsuki. All she has are her dreams, and her ancient TV & Famicom system, two symbols of how removed she is from every advancement outside.

In her dreams, she can walk into a dark place full of doors leading to all kinds of dream worlds. She first picked the door that was calling her name – the shiney, technicolor one. It was surreal, with bouncing neon creatures everywhere she turned. Unsure of herself, she walked down hallways, trying to avoid the monsters.

Some laughed when she knocked into them, and others grunted; all of them scared her. She ran, but no matter how fast she moved, there were more of them, in every direction she turned. Freaked out, Madotsuki woke herself up from her nightmare.

The next dream was just as weird. She chose a door that took her to a place that’s floor was a bird’s eye view of the entire dreamscape. Ominous music played as she walked along red serial numbers. It wasn’t like the dancing dream that she had had the night before. There weren’t dancing, wonderful creatures. Only two-legged red faced things.

The game/experience doesn’t hand you a plot. You’ve gotta do your own thinking. Everything you imagine about the experience comes from your own head, as much as it comes from hers. You don’t have any directions on where to go. All you know is that you have to travel throughout these dream worlds and capture “effects” ranging from cat ears to kitchen knives. When you place all of the effects in the room of doors, the game ends. That’s it.

It’s fun to guess what every symbol in her dreams mean. Something happened to this girl to make her into such a recluse. What that is, is up to you to decide, based on the figures in her dreams. There are plenty of theories floating around out there.

It’s not a game for everyone. If you’re the type of person that needs a clear objective, then Yume Nikki is not for you. In fact, if you are that type of person (nothing wrong with that), you should find yourself a walkthrough. The majority of the game is spent wandering from dream to dream, in search of 24 objects with nothing to point you where you should go. Like I said before, this is an EXPERIENCE, and a beautifully creepy one at that.

It’s like the sick twisted love child of Silent Hill (in atmosphere) and Earthbound (in looks). There’s a lot to discover within the game’s open-ended worlds. It’s not a scary game in the sense that a bunch of things pop out at you. The scares aren’t cheap. What makes Yume Nikki so scary is that it crawls under your skin. It does psychological horror right; your imagination makes it terrifying.

Yume Nikki isn’t a visual novel, but it’s an experience that I feel that most visual novel fans will enjoy, and one that I feel like visual novel developers can take a lot away from. When you create stories, you don’t have to spell everything out to your readers. Imagination goes a long way.

Kikiyama created Yume Nikki in 2005, using the RPG Maker 2003 program. You can download the English version here. Special thanks to Crimson for suggesting that I review this.

That Cheap and Sacred Thing

Traffic’s gone down on the blog since last week. Bummer. I blame that on lack of updates, and lack of me writing a continued Katawa Shoujo review and more impressions. Sadly, I haven’t had the time nor privacy to 100% complete it yet.

Since college has started, I’ve actually had less time available for visual novel playing and reviewing than I thought I would. Things will calm down eventually. Also, the internet sucks so bad in my dorm that it takes hours to download projects that would’ve taken me only minutes to get at home. Things aren’t looking so good.

Luckily, I downloaded a few games that piqued my interest before I left, one of them being That Cheap and Sacred Thing, by carosene [DA] (who won Rookie of the Year in another VN blog’s 2011 award ceremony, congrats). I remember playing an early version of this game years ago. The file name was called TCAST back then, too.There weren’t any pictures in that version, but I do remember it being a science fiction love story that got my attention. I wasn’t sure that the project was going anywhere, but, surprise! In my absence, it did.

The game folder comes with some screen shots and CGs in it. I tried to avoid looking at them, but I couldn’t help it. The pictures contain spoilers, so don’t open them up until after you’ve read the story. The main menu is simple – it’s standard Ren’Py fare, but carosene makes it work. There’s even a “Bonus” button that can be unlocked upon completion. Everything’s pretty standard, actually – there isn’t any fancy customization. It’s got a very… “out of the box” Ren’Py look.

You play from the point of view of Autumn, a girl that’s never let go of her friendship with her favorite android, Elly, to the point where she’s never gotten a replacement ‘droid. Androids? Yep. You see, Autumn lives in a world full of robots and androids that look deceptively human, manufactured for specific purposes. MyPals – protectors of children, MyServants – almost as cool as Rosie the originator, AmorBots – rental robowhores, EternaLovers, GuardBodies, and more; you want it, they got it.

Her world’s full of robots that look deceptively like humans, manufactured to carry out certain tasks. Unfortunately, she’s not allowed to have any of them become “committed” to her (that’s when they establish a “love you forever” bond with their owner) with a real personality, because of a past accident that happened with Elly.

Like a boss, she’s always kept Elly’s backup disk with her, for sentimental reasons, like celebrating their best friend anniversary. And since their BFA is also Autumn’s birthday, a bunch of her friends throw her a party, and surprise her with a 24 hour AmorBot. Not happy about it, she agrees to spend time with the robot just so their money doesn’t go to waste.

Wow. The artwork for Elly’s “accident” was excellent, by the way. Shocking. Brilliant choice in coloring it so starkly. Well done overall for all of the pictures, actually. The art team included Leaux, Ashley Coulter (backgrounds), Verity, Morhigan, and Sena. I also liked the music, done by Shadelight with a couple of Kevin McLeod pieces thrown in, a lot. They all fit with their scenes. Congratulations to everyone else involved (sorry for the cop-out on not listing everyone’s names, I’m a zombie right now).

The ending hit me hard. I had a feeling that it was g oing to happen – it HAD to, but I couldn’t help feeling genuinely sad for both of the characters involved. I think I understand why this game resonates with people so well. It really does pull at your heart strings. Even now, I feel like I’ve taken a punch to the stomach, in a good way. I can’t think of many good ways to feel punched, but this is one of them.

Once you beat the game, you can see a variety of game bonuses, including an art gallery, thoughts about & analyses of the game from carosene, and a look into Darlings Lost, carosene’s seemingly permanently hiatused game (don’t worry about it, real life happens). Oh, and since you asked, carosene, I’d definitely read a sequel to TCAST, ero or not.

I liked how the story included Autumn questioning her own humanity, especially when it comes to something as extreme and nebulous as love. There’s a lot of layers to TCAST, and I really appreciated that. It really makes you take a step back and think. It’s the type of story that makes for a good and complicated conversation starter.

You can look at bigger screenshots here and download & discuss it here.

Katawa Shoujo – My First Impressions

Don’t worry – I’m not going to spoil anything here. When do I ever?

I’m not the type who would normally buy commercial visual novels. But, if I were the type, and I had bought Katawa Shoujo in a world where it wasn’t free, would I have been happy with my purchase? Yes. Definitely yes.

Having been on a number of gamemaking teams that crashed and burned because they were too ambitious, I have to give a hand to Four Leaf Studios for successfully finishing KS. Over twenty hands were involved in the five year making of Katawa Shoujo, and it shows.

Let me clarify that this is NOT a Katawa Shoujo review, at least not one written in my usual style. These are my first impressions. I wouldn’t feel right reviewing something this good without finishing the whole game. And, to be honest, I’m not sure if I’m ever going to completely review KS. This is a game that I’m playing without my reviewer hat on.

So far, I’ve gotten one bad ending, and just started Shizune’s fourth act. I’ve been impressed with this game right from the opener. You play as Hisao, a boy who has a heart attack after a girl he likes confesses her feelings to him. After spending months recovering in the hospital and finding out that he has a serious heart problem (arrhythmia), he has to go to a school for people with disabilities.

There, he can find friendship and maybe even love on five story arcs, each arc corresponding with a specific girl. There’s (okay, brace yourself for my bluntness) burnt Hanako, deaf Shizune, legless Emi, armless Rin, and blind Lilly. It’s reminiscent of Japanese visual novels in that you spend the first arc “playing the field” and figuring out which girl or girls to spend time with. The second act and beyond are focused on a girl’s storyline.

Katawa Shoujo is surprisingly sensitive in its treatment of its characters. As you play through the game, you, like Hisao, learn to see the girls as women beyond their disabilities. They’re not the tactless descriptions I gave them in the paragraph above. For example, Shizune’s not “deaf Shizune.” She’s witty with a competitive flair. As someone with my own physical, although mostly invisible, disability, I was thankful that the girls are developed characters and not simply fetish vehicles.

The game has an option for censored and uncensored, so if you’ve got options if you’re trying to avoid the porn aspects. The censored version makes the sex scenes fade away into pictures of fruit or cute gerbils. It’s kind of funny. The game has a great amount of extra features, like a jukebox, gallery, a library where you can check your progress & replay scenes, and a cinema where you can rewatch videos you’ve unlocked.

I love the music. One of the tracks, “The Student Council” theme, got stuck in my head when I was trying to sleep last night, which only happens when I like the music. The music is entirely appropriate for a visual novel, meaning that it enhances the reading rather than distracting from it. “Parity,” “Hokabi,” and “Generic Happy Music” are others that I really like.

Did I already mention that the art is awesome? Okay, if I haven’t said it already, it is. It’s the reason why I raged when I forgot to run the game in Admin mode. I must have taken around thirty screenshots during Act Two alone. Whenever I saw something I liked, I hit the “s” key. Sadly, none of those pictures saved because I forgot to play KS in Admin mode (it’s a Windows 7 thang). Boohoo, whatever. I found them again later. The art’s awesome, end of story. There’s also a ton of lovely visual tricks in the game.

The writing for Shizune’s path doesn’t blow me away, but it is pretty good. It actually does make me care about Hisao’s relationship with her. I still feel bad over a choice I made at the end of the third act – that’s how much this game gets to me. I can’t wait to keep playing. There were a couple of outlandish scenes, but I appreciated them for their comedic relief.

It’s been a while since I’ve played a visual novel that’s made me this absorbed in it. When I was playing KS around 1 this morning, I told myself that I’d only play for a half hour, then go to bed. Before I knew it, it was 3:30 AM, and I still didn’t want to pull myself away from it. That’s how good KS is.

Wow, it turns out that I wrote a lot more than I thought that I would. To sum it up – my first impressions are that this is a game that you shouldn’t miss. This isn’t just another generic high school story. It’s a lot deeper than just a “cripple school” story. Katawa Shoujo stands out, and for good reasons. That opinion might change the further I get in the game, but as of now, I’m doubtful of that.

This might be the last of the daily posts for a while. College starts up again for me on Monday, which means busy busy, and I’m going to need a few days to prepare for that. Have fun, and happy playing!

deIz

I wasn’t so sure about reviewing another game by a maker that already has a heavily established fan base, but I decided to do it anyway. deIz is a visual novel about a guy with a crush on an indie film director who goes to his same high school. It was created by Mike Inel, who wrote an apology for his poor writing right before the main menu even shows up. He didn’t even give me a chance to form my own opinion first. That’s either gonna be a good or a bad thing.

At first, the main menu is plain. As you get more endings, the menu fills up with all of the characters. It’s a nice touch. One of the best parts of deIz was the gallery feature. I hate it when I can’t look back on CGs that I’ve collected, especially when the artwork is as nice as the art in this game. There are over fifty CGs, and at least twenty pieces of “extras,” including a history of the game, concept art sketches, a look into Inel’s drawing process and an animation. The game is short enough that you can get all of the pieces in a comfortable amount of time, so the gallery alone is enough of a reason to play.

Unfortunately, as gorgeous as the gallery was as a whole, the more I played his game, what he apologized about proved to be true. The writing wasn’t gripping. I gave it a chance because of the art. The game also doesn’t have any sound. That fact, combined with the empty writing, made the game feel like it lacked polish. It felt like it was taking steps in the right direction, but it was missing extra “oomph” to put it over the top.

The endings were creative. Some of them are kind of twisted, though, namely the one with [censored] forcing themself on [censored] (play the game to find out). That one was just creepy. One of the characters has boobs so massive that it’s comical. She literally cradles her boobs in her ending. While there are a couple of sweet “that’s cute” endings, most of the others are either comedic or disturbing. Guess that’s what they mean by bad endings.

deIz is equal opportunistic with its fan service. It has something for mostly everyone. Cat ears, broken fourth walls, scary eyes, panty shots, near nudity, thinly veiled anime references, friendly curiosity, really shiney girls, and more. There are twelve different endings, and loads of pictures to see and collect in the gallery & extras screens. It turns out that an enhanced version is in the works, so keep a look out on Mike Inel’s DeviantArt page for a release date.

You can download it from here and read a walkthrough here (WARNING: SPOILERS).

EDIT: Mike Inel is also the guy that created the wonderful FMVs in Katawa Shoujo. Pretty fitting that I wrote about Katawa Shoujo right after deIz.

Slimey – A Romantic Movie

IT’S SO FLUFFY!

Slimey – A Romantic Movie is an animated kinetic novel created by Celianna. You might recognize her name if you’re familiar with the RPG Maker scene, her Harvest Moon fanfiction & fanimation Pretty Ore, or her up and coming Harvest Moon-inspired game Tailor Tales.

Created with the RPG Maker VX (RMVX) program, Slimey – A Romantic Movie is the classic story of slime meets girl. After being rescued from one of those pesky hero types by a kind girl named Karin, Slimey falls for her. In order to have a chance with her, he makes a deal with a witch to be turned into a human. There’s only one catch. If he doesn’t get a kiss from Karin before the full moon, the witch will have his soul FOREVER.

The mapmaking here is awesome, but that’s to be expected when Celianna made the tiles herself. The choices in music were completely appropriate for each scene. I loved the way that the music flowed seamlessly from one piece to the next, without any noticeable pauses. If you watch the YouTube version like I did, you’ll see that the animations are all smooth. There are absolutely no hiccups. The writing was light-hearted, warm, and fuzzy. I loved the dialogue, to the point where the “blipblipblip” talking noises they made became actual voices in my head as I read.

Slimey – A Romantic Movie is the perfect pick-me-up animation to watch when you’re having a bad day. I will never look at blue slimes the same way again. I rooted for him from the start. I couldn’t get over how adorable this story was while I was watching it. I still can’t, even as I write this review. My heart was one hundred percent with Slimey, from the moment I hit play. When he danced with Karin towards the end of the story, I literally held my breath, hoping he wouldn’t mess up.

I cheered, I was sad, I laughed, I was scared – I felt so much for these characters. One of my favorite moments in Slimey – A Romantic Movie was from 09:54 to 11:26 on the third part. I loved everything about that part, especially the music and their interactions. It’s so fluffy, indeed. Don’t miss out on watching Slimey – A Romantic Movie. And, don’t even try to resist its infectious sweetness.

You can watch it and discuss it here at LSF, or click here for a direct link to its playlist on YouTube.

Digital: A Love Story

Beating this game felt like a triumph. Seriously. I’m a computer champion now. Throw any computer at me, and I’ll hack my way right through it, no problem. Just watch me as I traverse through every single dial-up channel available – oh, wait, you don’t have to punch in any phone numbers to connect to your network? What do you mean, you’re not going to hit me with an Amie Workbench? What? This isn’t 1988, either? Um, forget everything that I just said, then.

Digital: A Love Story is an adventure game created by Christine Love. You play the game as someone (you pick his/her real name and his/her username) who gets his/her first computer in 1988 called the Amie Workbench. Welcome to the old school Internet world of dial-up, complete with BBS (Bulletin Board System) networks and an Amiga-esque interface. All of your actions take place on the Amie Workbench’s screen. As expected from Love, this isn’t your standard visual novel set-up. You’re literally in front of the system. Playing this in full screen mode enriches the experience.

This game took me way back. Hearing that irritating screech of the dial-up connecting reminded me of when I was really little, around 7, all the way back in 2000. Back then, I used America Online on a connection so slow that I didn’t even know animated gifs were supposed to move. Remember all of those free trial CDs? As much of a pain that noise was, it was also almost comforting in its familiarity.

It was fun clicking around BBS pages and sending messages to random people. It was a little confusing at first that I couldn’t read what I was sending. Eventually, I got used to it, and being able to guess and interpret my own replies added to the fun. Love’s not handing your replies to you. They’re all within your own imagination. This game is smooth. In the beginning, it really does feel like you’re someone with a new computer.

On your local BBS, you take notice of a poet named Emilia. Lonely, you find a kindred spirit in her. Your connection becomes more serious as you get drawn into a mysterious web of hackers, crazy network exploits, and a satisfyingly dark puzzle that’s too good not to crack. I really felt for the protagonist. The journey to the end of the story got to me.

The music was excellently digital sounding. Every piece drove its points home, whether sad, romantic, or intense. This game was as much of a visual treat as an auditory one. I do have to admit that if you’re a person who’s prone to frustration, you shouldn’t play this game in one sitting. There’s no copy and paste feature, so you’ll have to enter every number time and time again whenever you want to connect. And you connect to various places A LOT. You download a notepad application early on in the game, but I suggest writing the numbers down, too. It saves you a headache in case you run into trouble.

All in all, this game is awesome if you have the patience for it. Download it from the RAA here, from its fancy page on the gamemaker’s website here, and discuss it here at LSF. Also, keep a look-out for the Heart of Fire easter egg!

Dusk ~A Moonlight Romance~

First review of 2012. If this isn’t a totally coherent post, sorry. New Years does that to people.

This time, instead of reviewing something sad and/or cerebral, I’m going to write about a funny one that takes aim at everyone’s favorite teen angst vampire sparkle crap story Twilight. Yep, that book series that’s ruined the vampire genre forever. I miss the days of Buffy and Angel… Anyway, jokes about the books and movies have been done to death and beyond, but Dusk holds its own. Dusk ~A Moonlight Romance~ was created by Chensterrain of Studio Super63, the same one that created the celebrated otome (GxB) game Lucky Rabbit Reflex.

Forget that stupid Vampires Suck movie. This is the definitive Twilight parody, one that’s guaranteed to make you at least smile in amusement. Saturated with purple prose, this kinetic novel makes fun of everything that the first part of Twilight stands for. You’ve got your oblivious Mary Sue named Angelica Chastity Honeydew Rosebud Dove (seriously). You’ve got Ephraim Callahan, the mysterious pretty boy with a secret to tell. And, you’ve got Jared Brown the Indian Native American of the Qufifosjoa tribe. I’m not even going to attempt the true spelling right now. I’m glad I wrote most of this ahead of time.

I loved the gloomy choice of Kevin MacLeod music. It added to this melodramatic story of a boring girl with “russet locks” inexplicably drawn to an “icy, rock hard man.” The customization is great, right down to the “options” screen being a bookmark over the storybook layout design. Chensterrain’s unique art style, although inspired by anime, is refreshing in the sea of big eyed small mouthed clones. The comedy writing feels effortless, which keeps the story amusing all the way to the end rather than a drag. It doesn’t lampoon the entire movie, but that’s alright.

Now knowing how witty and good at comedy writing Chensterrain is, I’m more inclined to buy her commercial game Lucky Rabbit Reflex. And, on a related note, if you’re in the mood for some more Twilight-centered laughter after reading Dusk, check out Twilight: The Broodening over at Newgrounds. Haha.

You can discuss and download Dusk here at LSF, or download it here from the RAA.

Remembering Amie

I picked out Remembering Amie, a kinetic novel written by Kazuki “lunasspecto” Mishima and released May 30th, 2009, at random. It’s a minimalistic story, told mainly from the point of view of Francis, a person thinking back on the times he spent with his childhood friend Amie.

When other kids played Pokémon, they talked about things like the vastness of the universe, and how small people can feel within that infinite backdrop. Heavy stuff for an eleven and twelve year old. Now an eighteen year old on the edge of adulthood, he is stuck in the past, unwilling to move on from those memories that they shared. Too bad, memory is such a fragile thing to latch on to…

Honestly, Remembering Amie was a pleasant surprise. Sure, the graphics are bathroom signs, but they actually fit perfectly within the context of the story. Because their appearances weren’t handed out to me on a platter, I was able to imagine everything for myself. Much like Francis, I put together the pieces of the past to form a memory I could walk into. I loved the movement of the backgrounds while he and Amie spoke of infinity. As colorless as it is, Remembering Amie is an unexpected visual treat.

The orchestral music considerably works in the story’s favor. It might have been because it was a fast read, but I didn’t get tired of the pieces at all. The music, like the grayscale design, showcased Kazuki Mishima’s wonderful story beautifully. I loved the punchline, and the murkiness of Francis’s sense of reality.

You can discuss it here and/or download it from here. This is the final review of 2011, by the way. Happy New Year’s Eve, everyone!

Christmas

With December quickly coming to a close, I felt like I should do a write-up on a holiday themed visual novel. Might as well, right? Lucky me that I pick the one with a main character that’s more of a Scrooge than Ebenezer himself. This girl’s so pissed off about the holiday season that she even makes priests want to bash their skulls open in frustration. Someone pissed in Jennifer’s cornflakes. And her lunch bag. And her TV dinner. And her damn midnight Twinkie. Every Christmas, she writes hate mail to Santa, cursing him for not fulfilling his duty as a white bearded wish granter. Bah humbug.

Jennifer is notorious around town for hating Christmas. She stomps her way around the snow, attacking everyone she sees for their merriment. Fed up with everyone’s cheer, she decides to go for a drive in her car. While driving, she sees an old man stranded by the road. Not one to ever say no, she agrees to give him a lift to the local cemetery, the very same one that her brother, who died on Christmas, rests in.

There, she meets a supportive stranger that can relate to her grieving. They connect during their conversation, where the stranger tries to convince her that she doesn’t hate Christmas. Whether or not their meeting is enough to change Jennifer’s mind about the holidays, is up to you to find out.

DragoonHP’s visual novel “Christmas” is a heartfelt story of loss and restoration, and a sad one at that. The grammar errors might make it hard for some people to enjoy the story. Some of them were glaring, but easy-to-make mistakes. For instance, “loose” instead of “lose,” and writing “this” instead of “these.” Small stuff. It’s a kinetic novel, meaning that there aren’t any choices. The customized main menu screen screams winter. The game gives you the option to play it edited or unedited. The unedited version contains stronger language. Coming from various sources, the music and filtered backgrounds were well-picked.

Zhee’s character art isn’t the shiniest, but that’s alright. It’s endearing, all the same. Who cares if the art isn’t highly detailed? Visual novels aren’t just the pretty pictures. They’re like an intersection of story, art, music, and programming, each contained within their own universes. And, was the art up to par for this work? Yes. Don’t let comparisons to others’ stories stop you from releasing your story. Do you have something to tell? Tell it, then. But, I digress. Back to DragoonHP’s work. The icon being a snowflake is a nice touch. Everything works in conjunction here to build a wintry setting. Christmas, indeed.

It’s definitely not the happiest Christmas story out there. I don’t know if it was because of her Scrooge sensibilities in the beginning of the story or what, but even the somewhat uplifting ending left me feeling down.

You can download Christmas from the Ren’Ai Archives here and discuss it here in its LSF thread.

Christmas was released on Jan. 27, 2011. Review written while playing version 1.1